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The following reports
detail several visits to a Lower Mainland art gallery
which has been known in investigative circles as one of
the most haunted buildings in BC.
BACKGROUND:
The gallery is housed in a
three-storey, 32-room mansion built in 1910; it has been
operating there since the late 1960s.
Throughout its history the mansion has housed four
wealthy families (1911-1939), a congregation of
Benedictine monks (1939-1954), a controversial religious
cult (1954-66) and a university fraternity (1966-1967).
While also rumoured to have
been a hospice for terminally ill tuberculosis patients
at some point in the 1950s, it is the cult which lends
this tale much of its tragedy.
The Temple for the More
Abundant Life was a US–based group headed up by William
Franklin Wolsey, a convicted bigamist who insisted his
followers call him “Archbishop John I”.
The group operated a
Christian boarding school for orphaned children at the
mansion, and it wasn’t long before allegations of
physical and sexual abuse began to circulate throughout
the community.
According to some reports, Wolsey had an extremely
volatile temper, and the children misbehaved or failed
in their lessons, the cult leader would lock them in the
dark, tiny closets of the third floor dormitories -
sometimes for days at a time.
“When a six-year old boy
with a slight speech impediment couldn't keep up with
other children during the recital of the Lord's Prayer,
Wolsey was enraged, and the boy was so traumatized by
the incident that he reverted to baby talk."
- Robert C. Belyk, author
of Ghosts: True Stories From British Columbia.
Other books have chronicled even darker aspects of what
happened to children at the mansion:
"Children of the
Temple’s school were taught that they would die if they
did not believe what was taught them in the classroom.
Youngsters who displeased or disappointed the Archbishop
in any way were subject to the cruellest of punishments,
and every child was forced to participate in the
unorthodox 'Sex and Hygiene' course, which Archbishop
John taught personally."-
Jo-Anne Christensen, author
of Ghost Stories Of British Columbia.
In
1959, a report by the Vancouver Sun newspaper exposed
Wolsey as having outstanding warrants in the US for
charges of extortion and spousal abuse. He immediately
fled BC, although it is believed he was later
apprehended and extradited to the US for trial.
Written
by John McCormack
REPORTED PHENOMENA
This particular mansion has
a reputation as being one of the most “physically
haunted” buildings in BC, meaning there have been
numerous accounts of object movement and interaction by
unseen paranormal entities. Some of these have been
experienced by our members. Others have been reported
to us by visitors to the mansion.
-
mysterious voices, screams and
laughter
-
footsteps heard in empty
hallways and stairwells
-
lights and electrical
appliances turning on and off
-
doors which lock, unlock, open
and close
-
padlocks on doors which rattle
violently when staff pass by
-
thuds coming from within the
walls and ceiling
-
paintings which leap from
their place on the wall to the floor, occasionally
striking gallery patrons
-
tools in the basement workshop
disappearing and reappearing in different places
-
kitchen utensils which have
moved on their own accord in front of several
witnesses
-
electrical interference with
audio and video equipment during town meetings
-
outdoor sprinklers turning on
and off by themselves
However, there have also
been occasional sightings of a variety of spirits by the
art gallery’s staff and patrons:
-
a little girl skipping her way
across the south lawn
-
a young woman in white peering
out of the third floor dormitory room windows
-
an elderly woman in white
wandering the halls and stairwells
-
a monk dressed in a habit
descending the stairwells
-
a well dressed man standing in
the central gallery viewing area
-
numerous dark, shadowy figures
-
strange flashes of blue light
-
strange blue sparks crackling
across the floor

Photo:
Heather Anderson - April 2001
Photographer's Note: I feel that this photograph
is worthy of consideration because of the circumstances
surrounding the moment that I took the photo. John
and I had walked past the steps, and we both felt as if
we were not alone and commented on this to one another.
I turned around and fired the camera in the direction we
both felt this. We were a bit surprised after the film
was processed, to see this. I am open to the fact that
this could be moisture or other, but when presented to a
professional film developer, he felt this was not the
case.
The camera
was a basic model automatic 35mm Pentax.
Comments/questions please contact bcghrs@psican.org
© 2003 - Heather Anderson -
BCGHRS
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